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How I use reference photos

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Many times I take my own photos, and sometimes I use photos from a social media group I belong to, “reference photos for artists.” We’re able to use photos there for free. We are not, however, free to post them online or share them.  I’m still enchanted by the scenes on the western edge of the Olympic peninsula.  To be clear, I only use reference photos compositionally. I generally stop looking at them once the basic shapes are laid in, and make my own decisions.  For this 24x30 cradled board I put on a mid-tone ground of earth yellow, and then drew in the major shapes with chalk. After that, I put the photo away, because I find them distracting. They are distracting in the sense that i get too “precious” trying to copy a photo. I’d rather do my own artistic rendering of a scene, and what the scene means to me.  I always start with the sky. This was a complicated sky in the early morning, with altonimbus clouds spreading to the west. I started with the sky using anth...

Teeny, tiny (sort of) landscapes

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 My beloved is preparing to go to woodworking school soon, so taht we can become a power creative couple. Meanwhile - he is able to make me lovely, well-finished cradled boards. Many of my latest paintings have been on these boards.     In order to maximize the number of cradled boards to be gotten from the sheets of Baltic birch he uses, after creating the medium size (15/16” x 20) he created several little ones (6’x12”). Now, I don’t normally work that small but it behooves me to create some smaller paintings as our local gallery is a small space, and also, it’s a good idea to practice what I’m bad at, I’ve learned.  So this week, I prepped three small boards, and created three paintings on them.  The first was a view of Cape Flattery, northwest from where I live. I started with a yellow ground, working through it back and forth. I’m fine with it, but not pleased.  The second was a sunrise over Port Ludlow piece, a study in which I wanted to show light us...

Painting for a friend

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  I have this friend who really, really loves those hairless cats. I think they look like wingless bats, and she knows that I feel this way, but she loves their adorable faces and says that they have fantastic dispositions. Her youngest is "Rob," a male that's about 5 years old.  Last year she posted a picture of herself holding one of her cats while standing in her kitchen.  (I've blurred this picture for her privacy. ) We decided that this needed a Renaissance Madonna and Child paint treatment...which I feel better able to do now that I've completed a year of art history.  My reference photos include this, for the background. The Renaissance was the first time that atmospheric perspective was widely depicted in painted works.      I isolated the background from one of those paintings using AI.   I started with a blank, white canvas board. I didn't bother with a mid-tone ground because I wanted the background to be bright.  I laid ...